前往主要內容區塊
:::

好玩藝兒─玩具‧遊戲‧當代藝術展

好玩藝兒─玩具‧遊戲‧當代藝術展

作為新竹市美術館2017年度主題展的首展,嘗試探求傳統民間文化與當代藝術的接合點,於是以「玩具」、「遊戲」、「當代藝術」作為整體策劃之切入核心,自台灣玩具發展歷史脈絡分析,延展至當代藝術、跨界潮流文化之思辨。一方面提供對台灣玩具文化知識的學習和體驗,一方面提高社會大眾、親子團體對當代藝術的認識和喜歡,以期達到寓教於樂的美意。
《好玩藝兒─玩具‧遊戲‧當代藝術展》三大展區分別呈現玩具發展的歷史脈絡、親子互動的遊戲體驗,並邀請以玩具為創作跨界思考的當代藝術家,包括李明道(AKIBO)、不二良、王建揚、陳傑強、大黑白(陳冠州)、魏子喻等六位藝術家參展,讓大小朋友一起進入當代藝術家的玩具創作夢。親子觀眾和一般民眾皆可以分別從玩具、遊戲、當代藝術所展現出玩具之於視覺、觸覺與心靈上的能量,引發對玩具與童年的深層感受。
【玩具面面觀─台灣玩具發展史】與台灣玩具博物館攜手合作,規劃展出台灣玩具四大時期:明清早期童玩、日據時代、戰後四0至六0年代,以及玩具王國七0至八0年代。藉由四個時代的玩具演進以及發展,讓參觀者重新發現台灣玩具不同的價值,以及背後所蘊含的庶民文化童趣智慧。又因玩具在人們手中才有生命力,因此在【原來可以這樣玩─親子玩具遊戲區】規劃成為親子遊戲互動區,依照童玩的結構、機構、造型等功能,提供可以動手操作的玩具給大小朋友玩,一邊遊戲、一邊學習。
 
「玩具」更常是當代藝術家創作中重要的元素,藝術家懷著赤子之心,將童年追憶融入個人的創作語彙,並結合天馬行空的想像,創造出玩具的奇幻世界。【藝術家的玩具夢─當代藝術創作展】參展的藝術家中,李明道(AKIBO)以多媒體科技與互動裝置打造的機器人家族,極具魅力與個人風格;不二良所創造的「小鼠」有著可愛外貌,如朋友般的親切感吸引各年齡層民眾的注意;而曾於新竹就學、以樂高積木作品受到矚目的大黑白(陳冠州),將來自西方的玩具表現出台灣在地的建築特色與文化精神;王建揚使用鮮豔的色彩、大量的玩具以及漫畫卡通等元素,創造出腦海中的夢幻場景;陳傑強以狂野的筆觸畫出童年時期回憶,藉由創作來塑造自己的記憶;魏子喻藉由描繪當代動漫文化傳達大眾盲目追求流行風潮的行為,引領觀者探索隱藏於潮流裡的真實。
 
 
As the first exhibition of Hsinchu Art Museum’s annual themed exhibitions in 2017, Play Well─Toys•Play•Contemporary Art Show takes toy, play and contemporary art as the planning-cores, trying to explore the junctions of traditional folk culture and contemporary art. The exhibition’s three main sections display the history of toy development in Taiwan, parent-child games and contemporary artworks inspired by toys respectively. In the exhibition, six toy-inspired contemporary artists are invited, including AKIBO, No2Good, WANG Chien Yang, TAN Kent Keong, Great B.W. and WEI Tzu Yu. In the exhibition, the knowledge of Taiwan’s toy culture is presented. On the other hand, citizens and parent-child groups’ awareness and love of contemporary art are raised. Most importantly, the audiences’ feelings of toys and childhood are reminded while they are having fun.
 
Cooperating with the Taiwan Toy Museum, the <Aspects of Toys─The History of Toy Development in Taiwan> section shows four periods of Taiwan's toy history – Ming Qing Dynasty, Japanese-occupied period, post-war period (1940-1960) and toy’s heyday (1970-1980). With the four periods, visitors can rediscover the value of Taiwan’s toy and wisdom of Taiwanese culture in the toy. While toys are of vitality only when being played with, the <How Fun Like This─Parenting Toy and Play Area> section is arranged as a parent-child interactive area, where both parents and children are provided with toys, making people learn while playing.
 
Toy has been an important element in contemporary art. Taking their childhood memories as the creating vocabulary, artists create the fantasy world of toys with their imagination. Among the artists in the <Toys’ Dream of Artists─Contemporary Art Exhibition> section, AKIBO’s charming robot family by using multimedia technology and interactive devices; No2Good's well-known character “Mousy” draws everyone’s attention with its cute and friendly appearance; Great B.W.’s Lego artwork shows the characteristics of architecture, culture and spirit of Taiwan; WANG Chien Yang uses the bright colors, a large number of toys and comic cartoon elements to create a dream scene in his mind; TAN Kent Keong depicts his childhood memories with wild strokes, building memories by creating; WEI Tzu Yu conveys the phenomenon of following the popular trend blindly by depicting the contemporary cartoon culture, guiding people to explore the reality hidden in the trend.


----------


【好玩藝兒─玩具•遊戲•當代藝術展】
 
展期|2017/4/1(六)-2017/5/28(日) 9:00-17:00 (免費參觀,除1/1外,每週一休館)
地點| 新竹市美術館(新竹市中央路116號)
策展人|張馨之
參展藝術家|李明道(AKIBO)、不二良、王建揚、陳傑強、大黑白(陳冠州)、魏子喻
策展團隊|沃沃美學 wòwò Aesthetics

MORE 連結:前往更多展覽回顧